Selasa, 31 Juli 2018

Toy Story 4 2019 Online Castellano

Toy Story 4 2019 Online Castellano






Toy Story 4 2019 Online Castellano- crítica -WMV-MP4- Watch Toy Story 4 Gratis en línea - kino -año- it alienisch .jpg



Toy Story 4 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Emelda Simaran


Coordinador de acrobacias:
Clouzot Dawn


Diseño de guión:
Odélia Emilio


Imágenes : Hull Krista
Co-Produzent : Ryann Coburn


Productor ejecutivo : Alaura Kassav


Director de arte supervisor:
Pitre Bryant


Produce|Producir : Redeker Elly


Fabricante: Ifat Bowers


Actriz : Lamothe Beya








7.6
2795















































Título de la película






Toy Story 4 2019 Online Castellano







Hora




125 minutos





Lanzamiento




2019-06-19





costo




AVI 720p
HDTV





Categoría




Adventure, Animation, Comedy, Family, Fantasy





habla




English





nombre de reparto




Benoît
O.
Ruais, SpringHill EntertainmentCostner X. Mansur, Leyla P. Chole







[HD] Toy Story 4 2019 Online Castellano


Rather than offering an even more potent ending, ‘Toy Story 4’ ends up being an unnecessary epilogue, offering little to enrich the overall narrative of the series and never cashing in on the actual possibilities it offers. This could have worked if it had explored a new story in the 'Toy Story' universe, and Forky certainly makes it clear that such a move could have worked beautifully. Instead, we have a film that feels tired and forced, lacking in clarity or inspiration, serving neither its classic characters or its new ones, and ultimately never justifying its existence. It’s certainly an enjoyable film, but it’s hardly a necessary one.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-toy-story-4-entertaining-but-thoroughly-unnecessary
I very much enjoyed _Toy Story 4_. I thought it was good, and I think it doesn't at all "undo" the perfect ending that the third entry gave us, which was a legitimate fear some people had. What I will say however, is that I don't understand **just how much** most people seem to have loved it. I have seen multiple people say it's the best of the four, and I more think it's the... worst. That's not a knock! This is a **seriously** good series (and also I think it might actually be either better than or maybe as good _Toy Story 2_). But I am not quite feeling the **overwhelming** positivity that it has garnered from a lot of my peers.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Dang, is it dusty in here? After what was a near perfect conclusion with Toy Story 3, wasn't sure if this was really needed. I'm glad they did go through with it and although it's not exactly unpredictable, still was highly entertaining with some genuine emotions and a great finale for Woody. Really says a lot that as good as this was, it's still the fourth best movie of the series. **4.0/5**

Don't really want a TS5 but wouldn't mind some short Toy Story Toons with the group...
Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that's Andy or Bonnie. But when Bonnie adds a reluctant new toy called "Forky" to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy.


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Bombshell 2019 Online Castellano

Bombshell 2019 Online Castellano






Bombshell 2019 Online Castellano- película -MPEG-M4V- en Redbox - lectura -año- ganzer film .jpg



Bombshell 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Jacquet Harison


Coordinador de acrobacias:
Kounen Baur


Diseño de guión:
Fares Trey


Imágenes : Zooey Shonda
Co-Produzent : Tatsuya Ferré


Productor ejecutivo : Benitez Chad


Director de arte supervisor:
Armance Schuler


Produce|Producir : Porter Gwendal


Fabricante: Jewell Bavneet


Actriz : Bler Hayam

























































Título de la película






Bombshell 2019 Online Castellano







Momento




124 segundos





Lanzamiento




2019-12-20





valor




Dolby Digital 720p
Bluray





Categoría




Drama





habla




English





nombre de reparto




Sommer
I.
Maeby, Cofimage 2Virat N. Naila, Renee C. Bonnee







[HD] Bombshell 2019 Online Castellano



The film will focus on the women of Fox News Channel who worked there during the tenure of Roger Ailes, the chairman and network architect who resigned in 2016 amid a sexual and workplace harassment scandal.


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Aladdin 2019 Online Castellano

Aladdin 2019 Online Castellano






Aladdin 2019 Online Castellano- de -Sonics-DDP-AAF- hd en línea - ign -año- película .jpg



Aladdin 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Hillel Brayen


Coordinador de acrobacias:
Siham Rory


Diseño de guión:
Romar Moche


Imágenes : Kensie Harbir
Co-Produzent : Abram Sibgha


Productor ejecutivo : Imran Nawal


Director de arte supervisor:
Soorya Caera


Produce|Producir : Brucie Gedalya


Fabricante: Quincy Tinesha


Actriz : Preston Lamarre








7.1
3854















































Título de la película






Aladdin 2019 Online Castellano







Momento




188 minutos





Lanzamiento




2019-05-22





valor




MPEG-1 1080p
DVDScr





Categoría




Adventure, Fantasy, Romance, Comedy, Family





lenguaje




English





nombre de reparto




Seif
V.
Turki, Calidra BVPrajit C. Riddick, Gurvir A. Péju







[HD] Aladdin 2019 Online Castellano


If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

What a wonderful surprise! I didn’t watch any trailers or clips, I completely stayed away from any sort of marketing, but I couldn’t hide from the negative feedback that social media was presenting. People online were skeptical of how good Will Smith‘s Genie would be, of how Mena Massoud (Aladdin) and Naomi Scott (Jasmine) were not the best casting choices, and of how the remake would actually honor and respect its original. From someone who didn’t know what to expect, I thoroughly enjoyed Guy Ritchie‘s take on the retelling of this famous story. All of the fears described above are obliterated by a magical cast, and they’re the ones who carry the movie to safe harbor.

I’ll start with one out of two standout performances: Will Smith as the Genie. He delivers an indisputably unique and entertaining display as the blue entity. By the way he moves and talks, there’s absolutely no way of people criticizing him for trying to copy Robin Williams. Smith does his own thing, and it works superbly. The best compliment I can give him is that I felt the same thing about Genie in this remake that I did while watching the original: every time he wasn’t on screen, I wanted him to be back immediately. In the original, I thought that the Genie appeared in the right moments every single time, which was when the pacing started to drop too much.

In this remake, the periods without Genie are more extended, and the first act suffers a bit from its slow pace, and lack of truly fun sequences. Nevertheless, once the Cave of Wonders comes into play, it’s a blast until the very end. The magic carpet and Abu make one hell of a comedy duo, and they’re responsible for a lot of the laughs throughout the runtime. Going back to Genie, I love that Ritchie and John August gave him something more in comparison with the original, and that’s one of few improvements actually made to the original. I wrote on that review that I was hoping that they gave more time for the core relationship of the film to develop and that Jafar (Marwan Kenzari) was more than just a paper-thin villain…

Well, Jafar keeps being an evil sorcerer that only desires power to rule everything and everyone. Unfortunately, he has more screentime than its predecessor, which means more over-the-top monologues of Kenzari, and sillier sequences with the whole hypnosis trick. On the other hand, Jasmine and Aladdin have a fully-developed script, which is by far the best improvement on the original. Their relationship grows naturally, and each character gets a lot of moments to express their feelings and show who they truly are, especially Jasmine. She is directly connected to an issue that will definitely make this movie incredibly divisive, audience and critics alike, but I’ll address it more at the end of the review.

Independently of the characters, Mena Massoud and Naomi Scott deliver breakthrough performances. Massoud is funny and quite likable as Aladdin, but Naomi is an absolute standout. Now, we look at this film as just another Disney remake. In a few years, we’ll look at Aladdin (2019) as the movie that launched Naomi Scott into the stardom. She is astonishingly outstanding as Jasmine. Not only her voice is pretty amazing, but her acting is unbelievably seamless. Regarding singing, Will Smith and Mena Massoud are also pretty good, and the musical numbers are another aspect that I surprisingly loved. Prince Ali, Friend Like Me, A Whole New World and the new song, Speechless, are beautiful, powerful, and the first two’s production design and VFX are overwhelming in a good way.

Guy Ritchie is known for his very fluid chasing sequences, and Aladdin running through Agrabah is very well filmed as expected. However, the long choreographed takes during these musical scenes are a wonder to behold, from the first to the very last one, even after the “The End” tagline shows up. A perfect remake is one that is able to keep the original’s essence while being its own thing. Ritchie does an impressive job balancing these pillars. For anyone who loves the original and wanted the remake to be a shot-by-shot retell of the story, every single little detail (from key words to important character moments) is present in this film. For anyone who wanted a different take, there’s more than enough minor changes to either how the story proceeds (order of events, more character development) or even how it ends, which leads me to the above-mentioned divisive issue.

Every time a political or social agenda is inserted in a movie, people don’t care if it’s well-written or not. They just don’t want any of those things on any film, and I support that. Hollywood needs to stop trying to put something politically or socially correct in a movie, just for the sake of it. Aladdin (2019) has a clear social message, and it uses one of the main characters to state that message clearly. Now, here’s the catch: having in mind the character in question, how it’s written, and what they do to send that social message, I think it’s fine. Yes, I know that a lot of people will think the complete opposite and crucify the film for it. I usually do the following mental exercise: “Does it make sense with the story/character? Is it just a single moment during the movie (proving that it might be too forced) or do they develop the idea? If it was an original film, would I even be thinking about this?”

Yes. They develop the idea. Probably not. Those are my answers, and that’s why I stand on the positive side of this soon-to-be heavily discussed subject during a few days. People need to start opening their minds to these modern takes on pre-21st-century classics. I always use Dumbo (1941) as an example: this is probably the most racist Disney movie ever, with extreme discrimination, total disrespect for animals, alcohol-induced plot points, and so much more morally and socially wrong storylines and character’s personalities. There’s no way that a film like that can be released today! So, obviously, Dumbo (2019) had to be extremely different from that one-hour racism show.

Aladdin (1992) also has a particular aspect about it that it doesn’t quite fit nowadays’ culture. It’s not offensive or anything, but I bet that if it was released today, a whole group of people would complain about it. Aladdin (2019) tries to adapt, and while it might have tried too hard, I still appreciate the effort, and at least it makes sense. It’s only a minor change to the core story and to the character in question, so it' shouldn’t affect the overall viewing of the movie. If Speechless wasn’t created, it would have been totally fine, but I have to admit that even if the song sounds great and the lyrics are impactful, it’s still a stretch… Naomi Scott interprets it beautifully, though.

Visually, the film is stunning. Agrabah is an absolute delight that will make hardcore fans’ jaws drop continuously, each time a new location is shown. I love how Ritchie strolls the camera around to show-off his production crew beautiful work, most of the times through long and fluid takes. I wish (no pun intended) he could have controlled the movie’s pace and tone better. Periods without Genie to entertain the audience are too long, and Ritchie shouldn’t risk the boredom levels to be as high as they are occasionally.

All in all, Aladdin (2019) succeeds in balancing the two pillars of any remake: it keeps the original’s true essence while standing on its own. Will Smith shuts down online skeptics with a super entertaining and unique performance as Genie, but it’s Naomi Scott and Mena Massoud palpable chemistry that surprised the hell out of me. The latter is perfect as Aladdin, but Naomi has her breakthrough display, which is definitely going to take her to even bigger stages. Guy Ritchie proves he’s a fantastic director, by delivering some beautiful one-take sequences and exceptionally fun and well-choreographed musical numbers. Technically, the production and set design are astounding, but the pacing-tone levels aren’t as balanced as they should have been, which makes the runtime over-extend itself.

Story-wise, people will feel incredibly divisive. Most of the screenplay is identical to its predecessor, but Disney’s attempt to force down a social message is not going to help the film, at all. Even if it makes sense and it’s only a minor twist, it was still unnecessary, and it might even shadow Naomi‘s brilliant performance, which would be a massive shame. Jafar bothers me a lot more than any of this stuff. However, Ritchie and John August deserve nothing but compliments for trying so hard to adapt such a risky original and mostly succeed doing it. I genuinely hope it crushes in the box office. It’s really a diamond (in the rough). Go watch it and make your own opinion!

Rating: B+
Saw this one last night and I must say I wasn't sure what to expect but I was extremely impressed by what I saw the movie made me laugh and smile theres plenty of action for Young boys and alot of music costumes and romance for young girls the only problem I see is there are shots of swinging breasts due to the wardrobe back then also the action may be a bit much for the youngest of kids but it's pure edge of the seat adventure that you absolutely must see best Disney movie of the year so far
While I am fully prepared to admit that I hated this slightly less than I expected to, I also officially give up on Guy Ritchie. Disney's original _Aladdin_ is not one of my favourite Disney flicks, but I do like it. And although I'm sure there are people out there who will appreciate this live action do-over more than me, I do find it difficult to believe anyone would think this one is the better of the two versions.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.


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Crawl 2019 Online Castellano

Crawl 2019 Online Castellano






Crawl 2019 Online Castellano- en línea - auf italienisch -MP4- Watch Crawl Online Reddit - bruja -año- blu ray .jpg



Crawl 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Celesse Chahat


Coordinador de acrobacias:
Vimbai Byren


Diseño de guión:
Reuben Shantia


Imágenes : Kirit Sonia
Co-Produzent : Edwin Kassie


Productor ejecutivo : Uqbah Mohsin


Director de arte supervisor:
Zina Pamelia


Produce|Producir : Jannah Matilde


Fabricante: Pratt Arub


Actriz : Martell Snyder








6.1
679















































Título de la película






Crawl 2019 Online Castellano







Momento




169 minutos





Lanzamiento




2019-07-11





precio




MPEG-2 1080p
TVrip





Género




Thriller, Horror, Action, Drama





habla




English





nombre de reparto




Natan
D.
Pape, Messenger TelevisionYoucef M. Arisa, Edelman S. Yusaf







[HD] Crawl 2019 Online Castellano


If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

2018 was a disappointing year for me. A lot of letdowns regarding my most anticipated movies, and not enough surprises throughout the year. 2019, on the other hand, has been quite interesting. Most blockbusters have resonated with me, and they’ve been my favorite films to watch so far (Avengers: Endgame, John Wick: Chapter 3 - Parabellum, Us, Glass). Additionally, original low-budget flicks have also caught my eye, and I’ve been enjoying them as well, even if they’re no masterpieces (Greta, Long Shot). Although, I had some bad experiences as well (Dark Phoenix, Hellboy, Godzilla: King of the Monsters).

Crawl, which I honestly expected just to be a cliche-filled silly horror movie, joins this last group, and it’s on par with Long Shot as the best surprise of 2019, until now. First of all, this is not a typical horror film, at least having in mind the last few examples of the genre. People might go in expecting something along the lines of Annabelle Comes Home, but with alligators, so I might as well moderate those thoughts. I wouldn’t even place it in that genre, even though disaster-horror isn’t exactly a bad description. It’s definitely a suspense movie, almost like a survival-thriller. Haley and Dave have to fight for their lives in a race against both a hurricane and fatal predators, so I wouldn’t generally put this in the horror genre. Moving on …

I love this type of films, you know that. Suspenseful, claustrophobic sequences, straightforward plot, and set in (mostly) just one location. You might think that since it’s only one place to shoot and it’s such a simple concept, it’s easier overall, but it couldn’t be more distant from the truth. With high-budget, multiple-location movies, directors and screenwriters can hide their technical flaws with tremendous VFX or huge set pieces. In one location, especially such a small one like a modest house, there’s no hiding. If you want to deliver an entertaining and captivating story, you have to write an enthralling screenplay. If you want to provide scary and efficient jump scare scenes, you need to show some creativity and prove you’re a talented filmmaker.

Alexandre Aja, who doesn’t exactly has a remarkable filmography, showcases that even with such a simplistic and short idea, it’s possible to be as or more fun than a massive blockbuster. Less than 20 minutes into the film, and we’re on. There’s enough backstory and characterization of the main protagonist for the audience to not only care about Haley but understand what skills she has that will help her survive what comes next. I love small details like zooming in on her locking a door, closing a window, moving a piece of furniture … Every shot has meaning because it will affect the plot later on. Aja is not shooting something “just because”, and that’s a skill that a lot of directors struggle to have nowadays since they feel that the runtime needs to be close to the two-hour mark.

After so many dumb, cliche, and horribly performed jump scare sequences in previous horror flicks from this year, I finally got to watch a movie where the director knows how to truly scare people, and make them jump out of their chairs. There are no loud soundtrack noises to make you screech. There are no demons or monsters in front of the screen, screaming like crazy. I was at the edge of my seat for more than a couple of times, and I genuinely got scared on some particular moments, where the surprise factor (Aja doesn’t follow the cheap timings of most horror scenes) and the creativity behind the camera were top notch.

Obviously, the VFX and overall production design aren’t mind-blowing. The alligators look pretty real, and that was the main goal, so mission accomplished. Also, being Rated-R helps the film to deliver great alligator attacks with tons of blood, and the injuries our characters have to deal with are pretty gnarly and disgusting (that’s a compliment). Filming in water is extremely hard, especially in such a confined space. However, Aja and his crew were able to produce a movie where you can understand everything that’s going on for the entire runtime.

Kaya Scodelario and Barry Pepper deliver great performances and show amazing chemistry. Their characters have enough development, even if they don’t have that imaginative scripts. Crawl is one of those films where I can’t point out a preeminent issue with it because it’s good at every aspect. I mean, sure, there are a couple of rare moments of extreme survival, where we might think “he/she should be dead”, but it’s such a fun and entertaining time at the theater that we can let go of one or two over-the-top scenes. It’s not like The Meg, where every single moment is unrealistic as hell. The success of the fictional part of a fiction movie depends on its realistic foundation and limits. If these aren’t well-established, then the film will be all over the place, and its viewers won’t know what to believe or not.

All in all, Crawl is one of 2019’s best surprises, and I definitely recommend to see it in theaters. With compelling leads and a simple concept, Alexandre Aja delivers an entertaining, suspenseful, claustrophobic, and technically creative movie. Finally, someone who knows how to handle a camera, and provide genuinely scary jump scare sequences. Hopefully, this can catapult Kaya Scodelario to grab a bigger role on a more impactful film. I can’t point out any “flaws”, it’s simply a “good movie”. With such a low-budget, give a chance to this one, and watch it instead of a massive blockbuster that will probably leave you disappointed with the numerous cliches and the extreme focus on silly action or huge set pieces as a replacement for a good story. Good job, Paramount!

Rating: B+
_Crawl_ didn't changing my life or anything, but it is far and a way the best creature feature I have seen in years. Kaya Scodelario still hasn't quite got the hang of an American accent, and the very first time we see a gator it does nooot look good, but I still am very happy with what was achieved here.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Crawl is a medium budget creature horror film that’s more Bait than Jaws – but with the added back drop of a massive hurricane. As if our characters weren’t already in enough danger.

Is Crawl a “so bad its good” movie, or a “so bad you should avoid it” movie? Read on to find out.

Set in Florida during a category 5 hurricane, Crawl tells the story of Haley and her father Dave, played by Barry Pepper. After receiving a frantic phone call from her sister, Haley goes on the hunt to find her father who is trapped in their old house as the hurricane approaches.

Unbeknownst to Haley, the overflow drain has been breached by Alligators, and their about to make Haley’s rescue mission a whole lot more difficult.

And if the gators don’t get Haley and her dad, the rising hurricane waters will.

I don’t know much about Alligators or Hurricanes, but I do like to think I know something about logic. And that is something that is sorely lacking in most characters in this film. Even the dog.

A series of unfortunate events conspire to make the rescue almost a futile effort. And the missing logic from our characters only add to the frustration to us, as the viewer.

Where should I start? First and foremost, I want to understand why neither Haley or Dave ever tried to smash out the weak looking brick work patterns on the basement wall and then crawl out of the new hole to safety? It doesn’t look like the bricks would need much in the way of a good whack to break open – and considering there were tools in the basement, including the shovel that Dave uses later on to half-decapitate a gator, this bit makes no sense to me. Now I realise two things – 1 is that the open brick patterns serves a purpose to flood the basement – but in reality it’s the first thing anyone would think to smash open. And 2 – if they did do that, then I realise we’d have a short film. But then the writers could have had more fun for the next hour putting Haley and Dave in more incredible and hard to survive scenarios. So there’s a missed opportunity.

The gators that are stuck into basement with Haley and Dave also don’t seem to be those of the killing variety – its either that or the skin of our two characters is so tough that these gators just can’t bite through them. I’m not gator expert, but I am pretty sure if one gets his whole mouth on your arm – he is probably going to bite your whole arm off, and not just leave a minor bite mark. Funny thing is we know these two gators are indeed killers, as one of them does eat the police man who comes to rescue them.

Also following up on the theme of me not being an expert on gators – one thing has me puzzled. Do gators kill for sport, or because they’re hungry? I can’t work that out based on this movie.

And in something that really shocked me for an American movie – it took over an hour until we saw the first gun. That has to be some kind of record for an American horror thriller movie?

But its not all bad – because there are quite a few laugh out loud moments in this movie to lighten up the mood.

I really liked the way Haley traps one of the gators in the shower. That’s both clever and utterly ridiculous – that a flimsy piece of shower glass could be strong enough to hold back a gator that wants to kill.

I also liked the nod to the Purge movies when the siren started just as the eye of the storm was passing through. It almost felt like a both a warning to all humans, and a sign to all gators that they could begin their hunt.

If you go into this movie realising that its not meant to be taken seriously, then its an enjoyable ride that will only briefly have you jumping in your seat over the scares and light gore. For a movie about gators hunting humans, it is surprisingly light on the gore – but then that’s what happens when Hollywood makes horror movies for teen audiences.

And there in lies the problem with this movie and someone like me watching it. It not aimed or marketed at me, and maybe not even at you. It’s a forgettable popcorn flick in the same vein as Bait, but not as fun – at least that had gore to go with its killer sharks.
Simple but entertaining enough, and quickly paced (running time around 80-minutes w/o credits), thriller that has just enough character development for me to care about their predicament. Not sure how much replay value this has but it's at least worth a rental. **3.5/5**
When a huge hurricane hits her hometown in Florida, Haley ignores evacuation orders to look for her father. After finding him badly wounded, both are trapped by the flood. With virtually no time to escape the storm, they discover that rising water levels are the least of their problems.


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Crawl 2019 Filmaffinity

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Eli 2019 Online Castellano

Eli 2019 Online Castellano






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Eli 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Israel Jahmal


Coordinador de acrobacias:
Adriane Hayden


Diseño de guión:
Troyat Lilli


Imágenes : Jodine Spears
Co-Produzent : Sélène Pautrat


Productor ejecutivo : Lemelin Mcbride


Director de arte supervisor:
Jayla Horia


Produce|Producir : Kaufman Noan


Fabricante: Hodges Serge


Actriz : Spire Cherina








6.1
172















































Título de la película






Eli 2019 Online Castellano







Momento




184 minuto





Lanzamiento




2019-10-18





objetos de valor




MPG 1080p
BDRip





Género




Horror





habla




English





nombre de reparto




Sashvin
R.
Diego, AsreadBrie L. Bitbol, Cruise B. Anahita







[HD] Eli 2019 Online Castellano



A boy named Eli with a rare autoimmune disorder is confined to a special experimental clinic for his treatment. He soon begins experiencing supernatural forces, turning the supposedly safe facility into a haunted prison for him and his fellow patients.


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Eli 2019 Pelicula Completa Castellano

After 2019 Online Castellano

After 2019 Online Castellano






After 2019 Online Castellano- caja - stream en línea -MPE- Película en Netflix - zanelli -año-stream .jpg



After 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Pithoys Flores


Coordinador de acrobacias:
Haika Malot


Diseño de guión:
Aglaia Cotuand


Imágenes : Zeenat Kole
Co-Produzent : Hicks Jasim


Productor ejecutivo : Lorene Kline


Director de arte supervisor:
Babin Delwyn


Produce|Producir : Doust Pavel


Fabricante: Auriane Breda


Actriz : Layne Daniela








6
2107















































Título de la película






After 2019 Online Castellano







Momento




164 minutos





Lanzamiento




2019-04-11





valor




Dolby Digital 1080p
Bluray





Categorías




Drama, Romance





lenguaje




English





nombre de reparto




Patrice
T.
Dorene, Airspeed EditorialBerniss U. Grenier, Lital N. Solene







[HD] After 2019 Online Castellano



Tessa Young is a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart. Entering her first semester of college, Tessa's guarded world opens up when she meets Hardin Scott, a mysterious and brooding rebel who makes her question all she thought she knew about herself -- and what she wants out of life.


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After 2019 Filmaffinity

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Senin, 30 Juli 2018

Midway 2019 Online Castellano

Midway 2019 Online Castellano






Midway 2019 Online Castellano- trailer -AVCHD-MP4- 480p Descargar - rey -año- ganzer film .jpg



Midway 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Camil Parks


Coordinador de acrobacias:
Rohid Kieon


Diseño de guión:
Anais Safiya


Imágenes : Nazim Armelle
Co-Produzent : Vallin Eiffel


Productor ejecutivo : Linh Randy


Director de arte supervisor:
Rhiya Seurat


Produce|Producir : Ynes Jase


Fabricante: Ailan Ghalib


Actriz : Joud Nadine

























































Título de la película






Midway 2019 Online Castellano







Reloj




159 segundos





Lanzamiento




2019-11-06





valor




MPEG 1080p
Bluray





Categoría




War, History, Action, Drama





habla




English





nombre de reparto




Serine
B.
Kaylah, OctoArts FilmsRoselyn A. Katya, Ilona G. Dorotha







[HD] Midway 2019 Online Castellano



The story of the soldiers and aviators who helped turn the tide of the Second World War during the iconic Battle of Midway in June 1942.


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TAG :

Midway 2019 Filmaffinity

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Gemini Man 2019 Online Castellano

Gemini Man 2019 Online Castellano






Gemini Man 2019 Online Castellano- maléfique -FLA-MPEG-2- Stream gratis - 2019 -año- película .jpg



Gemini Man 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Wiem Bill


Coordinador de acrobacias:
Mihnea Faiza


Diseño de guión:
Serge Badar


Imágenes : Jovan Evony
Co-Produzent : Lalitha Braidy


Productor ejecutivo : Ratté Méthot


Director de arte supervisor:
Anis Giovani


Produce|Producir : Skye Reya


Fabricante: Maiya Rhiya


Actriz : Aveline Tisha








5.9
394















































Título de la película






Gemini Man 2019 Online Castellano







Reloj




177 minuto





Lanzamiento




2019-10-02





precio




MPE 720p
VHSRip





Género




Action, Thriller





lenguaje




English, Türkçe





nombre de reparto




Renato
G.
Medi, Havas EntertainmentCain C. Miran, Essah X. Roxann







[HD] Gemini Man 2019 Online Castellano


A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek

Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".

It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.

Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).

It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.

In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.

And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.

Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.

All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.

Rating: C-
Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.


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The Lighthouse 2019 Online Castellano

The Lighthouse 2019 Online Castellano






The Lighthouse 2019 Online Castellano- prevodom -Dolby Digital-Sonics-DDP- Película completa en HD - reddit -año- ganzer film .jpg



The Lighthouse 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Elya Nuytten


Coordinador de acrobacias:
Tidjane Leondra


Diseño de guión:
Goddu Jibran


Imágenes : Shanise Kion
Co-Produzent : Goulue Harison


Productor ejecutivo : Malki Valere


Director de arte supervisor:
Élémir Dausset


Produce|Producir : Aglae Nayim


Fabricante: Amjid Bodard


Actriz : Ellayne Narin








8.1
29















































Título de la película






The Lighthouse 2019 Online Castellano







Duración




183 minuto





Lanzamiento




2019-10-18





objetos de valor




DAT 1080p
VHSRip





Categorías




Fantasy, Horror, Mystery, Drama





lenguaje




English





nombre de reparto




Quesnay
P.
Louiza, 4TA ProductionsSevim V. Ruwen, Deion Z. Tianna







[HD] The Lighthouse 2019 Online Castellano



The hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s.


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TAG :

The Lighthouse 2019 Filmaffinity

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Countdown 2019 Online Castellano

Countdown 2019 Online Castellano






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Countdown 2019 Online Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Druon Rayssa


Coordinador de acrobacias:
Madox Japjit


Diseño de guión:
Joachim Didina


Imágenes : Kailee Inès
Co-Produzent : Knox Corman


Productor ejecutivo : Ameya Keyara


Director de arte supervisor:
Karina Dastous


Produce|Producir : Gillian Yousra


Fabricante: Kandra Perrier


Actriz : Keiyan Moguy








8.5
1















































Título de la película






Countdown 2019 Online Castellano







Hora




139 minuto





Lanzamiento




2019-10-25





objetos de valor




AAF 1440p
Bluray





Categorías




Horror, Thriller





habla




Türkçe, English





nombre de reparto




Karin
L.
Haenel, JellylegsIeisha W. Vidal, Lucia F. Thurman







[HD] Countdown 2019 Online Castellano



A young nurse downloads an app that tells her she only has three days to live. With time ticking away and a mysterious figure haunting her, she must find a way to save her life before time runs out.


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Countdown 2019 Filmaffinity

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Avengers: Infinity War 2018 Online Castellano

Avengers: Infinity War 2018 Online Castellano Avengers: Infinity War 2018 Online Castellano- sin texto - mit untertitel -1440p- D...