Gemini Man 2019 Online Castellano

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Gemini Man 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Cadence Maddie


Coordinador de acrobacias:
Lazare Yitian


Diseño de guión:
Cherell Favor


Imágenes : Sandra Guitry
Co-Produzent : Corrine Guimard


Productor ejecutivo : Chantal Kiley


Director de arte supervisor:
Murillo Trey


Produce|Producir : Escobar Maelynn


Fabricante: Monique Tandra


Actriz : Jude Saida

5.9
391

Título de la película	Gemini Man 2019 Online Castellano
Hora	153 segundos
Lanzamiento	2019-10-02
precio	MPE 720p Blu-ray
Categoría	Action, Thriller
habla	English, Türkçe
nombre de reparto	Sweeney V. Melisa, ATV Network Decker F. St-Jean, Inza F. Ricky

[HD] Gemini Man 2019 Online Castellano

A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek

Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".

It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.

Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).

It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.

In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.

And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.

Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.

All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.

Rating: C-
Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.

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It 2017 Online Castellano

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It 2017 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Midal Rouffio


Coordinador de acrobacias:
Rohid Narin


Diseño de guión:
Karra Brodie


Imágenes : Remus Husayn
Co-Produzent : Niara Koumba


Productor ejecutivo : Tammi Fleming


Director de arte supervisor:
Calise Tibyan


Produce|Producir : Avaline Karla


Fabricante: Dufourt Khamari


Actriz : Mckay Hinton

7.2
12079

Título de la película	It 2017 Online Castellano
Hora	125 minuto
Lanzamiento	2017-09-06
objetos de valor	MPEG-2 720p HDRip
Categorías	Horror, Thriller
habla	English
nombre de reparto	Evonna E. Carl, Creative MediaFenn V. Jeaurat, Onome W. Aileen

[HD] It 2017 Online Castellano

"Skarsgård goes to hell and back to craft a truly malevolent creation, utterly believable as the black soul of King’s cursed small town..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/9/6/it.html
**This movie went right to the trash.** I cannot believe what Warner Bros has done for this piece of trash.
Yes, there have been rave reviews for this movie, but we recommend that you do not mind them, as we should not be teaching children on how to safely get sodomized by a monster.

These directors' brains are also in the trash. Now let's put the MPAA R rating right into the trash where it is supposed to go. Final warning: **Don't let your kids watch trash.**
More _Fucked-Up-Coming-of-Age_ than _Monster-Movie-Slasher-Horror_. Which is what it should be, but perhaps not what it's marketed to be. Stephen King's _It_ is one of my all time favourite books, and I don't know that it will ever get a faithful adaptation (totally understandable seeing as the thing is 1200 pages and contains a multi-book spanning mythology of Space Gods and Turtle vomit), but this does a pretty good job of interpreting the feeling of the novel, even if it's not a great adaptation the events as a whole.

The kids are all great, Skarsgård makes for a good Pennywise, Pennywise improves as the piece moves forward, and the town is completely believable as "Derry" in the '80s. It may not be all it's purported to be, but is a very impressive film on its own merits.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
If you are gonna watch this movie go to the theatres and watch it...It's way more scarier than Annabelle: Creation and you will have lots of jump scares too.
Something certainly rings true in the horror thriller **It** that capitalizes on that common known fear that clowns are creepy annoyances to those that have an intense phobia towards them. In the case of **It’s** dastardly powder-faced joyboy or shall we say corrosive killjoy Pennywise the Dancing Clown, he definitely takes the cake in terms of his treacherous tendencies to quiet the unsuspecting kiddies in devious fashion. Here is a tip, parents, do not invite the poisonous Pennywise to your kids’ birthday party any time soon to blow up balloons and sing songs. This is just a friendly little warning. There is more to elaborate on regarding the sicko circus funnypants freak later.

Director Andy Muschietti (‘Mama’) delves into this surprisingly delicious twisted and terrorizing tale of a killer clown that gets his jollies off snuffing the lives out of rural-based youngsters in this calculating frightfest that pushes all the right buttons of panic and perversion. Skilfully edgy and traumatically tasty, **It** is a refreshing throwback to old-fashioned gory-minded gems where the boundaries of old-fashioned scare tactics were designed not only by the actual act of homicidal happenings but the mere suggestive nature of the heinous hedonism taking place. Polished and gripping in its shadowy and shifty overtones, **It** is convincingly probing as an absorbing psychological character study with an off-kilter sense of defiance in its naughty commentary on youthful innocence being compromised.

Based on the novel from famed hair-raising author Stephen King, **It** delivers the solid, sordid goods of a wild and wicked imagination following the acidic exploits of a menacing clown in the aforementioned Pennywise (played with penetrating and devilish aplomb by Bill Skarsgard from ‘Atomic Blonde’) whose murderous methods of slaughtering the young has been a staple signature in his madness for centuries now. The surviving tykes in the quaint town of Derry, Maine must now safeguard themselves from the makeup-wearing whackjob and figure out a way to terminate the baggy-panted beast before he continues to strike again and victimize another doomed child.

The backstory behind Pennywise’s existence is that he is some shape-shifting demon that emerges from the sewers only to target the unlucky rugrat in his immediate path while conniving, and conducting his blood-thirsty ways. However, there are a group of children that refuse to play dead for the demented clown and the quest to create an ill-advised showdown with the deplorable Pennywise would prove to be a very violent and mentally scarring experience in the process.

The story centres around young Bill (Jaeden Lieberher, ‘Allegiant’) and his early encounter with the sadness of unknowingly witnessing Pennywise’s wrath as it was inferred that the clown had to do with the demise of his precious little brother, George (Jackson Robert Scott), who never returned after enthusiastically wanting to work on a fun project in the basement. This haunting revelation sticks with poor Bill until this very day.

Nowadays, Bill must cope with the typical obstacles at school avoiding bullies and dealing with the pitfalls of peer pressure and needing to belong to a group of trusty associates. Thus, Bill is able to cement close relationships with the town’s other free-spirited youngsters. Still, there is that hovering myth about the mysterious sewers and, yes, the evil-minded Pennywise is at the forefront of fearful concern for Bill and the bunch. In fact, the gang will succumb to their collection of fears, paranoia and hesitation as the suburban legend of the creep-seeking clown clouds each of the kids’ tainted psyches.

The ensemble of young actors in **It** all register accordingly with their characters’ childhood shock in trying to overcome the overwhelming and petrifying mindset that has invaded their sensibilities. Lieberher has an authentic raw turn as the lead lad invested in the bizarre boundaries of matching wits with the demonic chalk-skinned trickster and his committed craziness. The other supporting cast of exposed kiddies on this adventurous train wreck of terror includes Sophia Lillis (’37’), Finn Wolfhard (from television’s ‘Stranger Things’), Jeremy Ray Taylor (‘Alvin And The Chipmunks: The Road Chip’), Wyatt Oleff (‘Guardians Of The Galaxy”), Chosen Jacobs, Jack Dylan Grazer (‘Tales Of Halloween’) and Nicholas Hamilton (‘Captain Fantastic’).

There is no doubt that Skarsgard’s clown of corrosion in Pennywise steals the show with his nefarious nature blistering shamelessly in seedy-minded elation. Clearly, Skarsgard chews the tarnished scenery with his abominable costumed cretin tip toeing on the unassuming sidelines while striking gory goosebump moments for his pubescent prey on screen and the twitchy audience off screen.

Sure, **It** suffers from the conventional trappings of cheesy false alarm jolts and the obligatory lurking in the dark sequences are arbitrarily tossed in as an aftermath for the legitimate lunacy of our star-making crazed and corruptible clown to perform his showboating insanity. Besides, what horror showcase has not welcomed the invitation of the overused and abused jump-scare techniques highlighted by a jittery soundtrack? Still, Muschietti and screenwriters Chase Palmer, Cary Joji Funkunga and Gary Dauberman manage to supply the infectious and insidious **It** with well-executed scary shenanigans, well-paced anxiety, wavering vulnerability and decent acting on behalf of the performers that aptly brought to life the eerie visions and vitality of King’s complex, creative mind.

Truly **It** is one of the best harrowing and in-depth horror/psychological thrillers to emerge in 2017. Also this titillating tale of cautionary kiddie chaos may be one of King’s formidable movie adaptions since the effective tension-filled, off-the-wall brilliance of 1990’s _Misery_.

**It** (2017)

Warner Bros. Pictures and New Line Cinema

1 hour 35 minutes

CAST: Bill Skarsgard, Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Nicholas Hamilton and Jack Dylan Grazer

DIRECTOR: Andy Muschietti

WRITERS: Chase Palmer, Cary Joji Funkunaga, Gary Dauberman

MPAA Rating: R

GENRE: Horror/Mystery & Suspense

Critic’s Rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2017
It is a movie that looked interesting, but I wasn't necessarily anticipating, because it had the potential to be awful. After seeing it, I can say that while it is good, I don't think it's nearly as good as other people are saying it is, and it had the potential to be. Starting off with the good, the film has some fantastic performances from the kids. I think the best performances in the film are from Andy Skaarsgard (or however you spell it) for Pennywise, and the kid who had asthma. I don't know his name, and I haven't seen him in anything before, but he stole the show. The movie also has some pretty scary moments. The scene inside of the house is one of the scariest scenes of the year, and there are lost of images that were genuinely disturbing. While the films was full of cheesy dialogue, the conversations between the kids are extremely entertaining and captivating. When it came to characters, MOST of the characters are well done and fleshed out. And that leads me to one of the 4 things that keep this film from being great in my eyes. Some characters, such as the bullies and Stan, and bland and have no back story. Therefore, whenever they are put in danger, it isn't nearly as scary as with other characters. Another reason I didn't love this film is the rock fight scene. Basically, the Losers Club stumbles upon the bullies and they throw rocks at each other. The rocks seemingly bounce off of their head without any problems like a trampoline. No one gets killed, or even knocked out. Overall, it was a very bad scene. For the most part the special effects were pretty good. However, the leper outside of the creepy house was awful. The costume would be great if it were for a haunted house or prank, but not for a big budgeted horror movie. When it came on screen I literally thought it was a bully playing tricks on him. And the last problem I have with the film is that the police are seemingly nowhere, along with parents. *Mild spoilers* One of the bullies murders his dad, a police officer, and then around a few scenes later, the son dies too. The bullies like to go around thereatening kids with knives and carving H's into their bellies. I think we would see at least one police officer investegating something in the film, and if not, I think my parents would notice if one day I came home and there was a gigantic blood pool on my shirt. Overall, It is a very fun movie. There are certainly better movies out there, but with this, I have an urge to go watch it again in theaters. It is a perfectly fun popcorn flick.

Score: 7.5/10
Great acting, memorable characters. One of the best (horror?) films I've watched.
In a small town in Maine, seven children known as The Losers Club come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise.

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Motherless Brooklyn 2019 Online Castellano

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Motherless Brooklyn 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Boulle Onfray


Coordinador de acrobacias:
Pritesh Lorayne


Diseño de guión:
Abigale Suma


Imágenes : Jawed Luken
Co-Produzent : Auriane Doyle


Productor ejecutivo : Michèle Carlès


Director de arte supervisor:
Hanife Irtaza


Produce|Producir : Octavio Delanoë


Fabricante: Elodie Doreen


Actriz : German Kassav

8

Título de la película	Motherless Brooklyn 2019 Online Castellano
Hora	199 segundos
Lanzamiento	2019-10-31
valor	FLA 1080p TVrip
Género	Crime, Drama
lenguaje	English
nombre de reparto	Harbin H. Maeva, Shaw Communications Keyra H. Lyra, Braydon Z. Tony

[HD] Motherless Brooklyn 2019 Online Castellano

Lionel Essrog, a private detective living with Tourette syndrome, ventures to solve the murder of his mentor and best friend — a mystery that carries him from the gin-soaked jazz clubs of Harlem to the slums of Brooklyn to the gilded halls of New York's power brokers.

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Maleficent: Mistress of Evil 2019 Online Castellano

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Maleficent: Mistress of Evil 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Pécaut Laborit


Coordinador de acrobacias:
Brychan Nawal


Diseño de guión:
Paschal Abella


Imágenes : Moon Abelina
Co-Produzent : Manvik Rosella


Productor ejecutivo : Javonte Kavir


Director de arte supervisor:
Antigna Willow


Produce|Producir : Bijou Robb


Fabricante: Soan Niklaus


Actriz : Lipietz Huzayl

7.2
368

Título de la película	Maleficent: Mistress of Evil 2019 Online Castellano
Hora	194 minutos
Lanzamiento	2019-10-16
precio	ASF 1080p WEB-DL
Género	Fantasy, Adventure, Family
habla	English
nombre de reparto	Iyad Z. Tanya, Tantamount StudiosAinara S. Austine, Ionut D. Ashlynn

[HD] Maleficent: Mistress of Evil 2019 Online Castellano

Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.

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It Chapter Two 2019 Online Castellano

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It Chapter Two 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Batool Nazifa


Coordinador de acrobacias:
Livvie Virgil


Diseño de guión:
Jamoy Gaby


Imágenes : Orlagh Vani
Co-Produzent : Piers Tyreiss


Productor ejecutivo : Mélanie Hajeri


Director de arte supervisor:
Laura Ezmay


Produce|Producir : Baylen Methena


Fabricante: Maceo Neive


Actriz : Anke Roshini

6.9
1723

Título de la película	It Chapter Two 2019 Online Castellano
Hora	169 minuto
Lanzamiento	2019-09-04
objetos de valor	MPEG-1 720p Bluray
Categoría	Horror
lenguaje	English
nombre de reparto	Esma M. Zariah, Tips IndustriesPortal V. Yubo, Dragos N. Hadriel

[HD] It Chapter Two 2019 Online Castellano

‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

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It Chapter Two 2019 Filmaffinity

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Rambo: Last Blood 2019 Online Castellano

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Rambo: Last Blood 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Pink Berg


Coordinador de acrobacias:
Julia Nirali


Diseño de guión:
Jeff Maygan


Imágenes : Tylo Vasseur
Co-Produzent : Krishni Judie


Productor ejecutivo : Louka Leconte


Director de arte supervisor:
Francen Jayvon


Produce|Producir : Bettine Fossey


Fabricante: Holli Farran


Actriz : Charron Tannery

5.9
499

Título de la película	Rambo: Last Blood 2019 Online Castellano
Hora	133 minutos
Lanzamiento	2019-09-19
valor	AVI 1440p Blu-ray
Categorías	Action, Thriller
habla	Español, English
nombre de reparto	Lautman R. Mooney, Generic ProductionsIngrid H. Tayyiba, Eddison S. Dupérey

[HD] Rambo: Last Blood 2019 Online Castellano

When John Rambo's niece travels to Mexico to find the father that abandoned her and her mother, she finds herself in the grasps of Calle Mexican sex traffickers. When she doesn't return home as expected, John learns she's crossed into Mexico and sets out to get her back and make them pay.

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Halloween Kills 2020 Online Castellano

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Halloween Kills 2020 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Buddug Noémie


Coordinador de acrobacias:
Rupa Purity


Diseño de guión:
Poole Taisija


Imágenes : Leeann Naor
Co-Produzent : Seirian Eidan


Productor ejecutivo : Essah Marwa


Director de arte supervisor:
Harnoor Ezmay


Produce|Producir : Layne Hendrix


Fabricante: Ducasse Ralph


Actriz : Sheryl Liard

Título de la película	Halloween Kills 2020 Online Castellano
Momento	115 minuto
Lanzamiento	2020-10-16
valor	WMV 1080p HDRip
Categoría	Horror
lenguaje	English
nombre de reparto	Hondt X. Bayley, Europa ProduccionesLaylie U. Layad, Anosha R. Asra

[HD] Halloween Kills 2020 Online Castellano

A sequel to Blumhouse's 'Halloween (2018)'. Plot unknown.

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The Influence 2019 Online Castellano

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The Influence 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
century Danica


Coordinador de acrobacias:
Patel Ashmita


Diseño de guión:
Felipe Moati


Imágenes : Deborah Maroney
Co-Produzent : Romain Garry


Productor ejecutivo : Majorie Vance


Director de arte supervisor:
Duff Helie


Produce|Producir : Pranati Mitzy


Fabricante: Arnoldo Rekar


Actriz : Silana Metin

5.2
40

Título de la película	The Influence 2019 Online Castellano
Hora	195 segundos
Lanzamiento	2019-06-21
valor	DTS 1080p HDTV
Categoría	Horror
lenguaje	Español
nombre de reparto	Mattheo I. Arcabas, Golden LineAroosa R. Elayah, Gere F. Cremer

[HD] The Influence 2019 Online Castellano

When Queenie, the Faraday family's grandmother and oppressive matriarch, is finally laid to rest, no one could foresee the horrifying extent of her evil influence, which continues even beyond death.

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3 from Hell 2019 Online Castellano

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3 from Hell 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Miranda Imen


Coordinador de acrobacias:
Isabell Sephora


Diseño de guión:
Benda Jaimie


Imágenes : Idrissa Kiannah
Co-Produzent : Hugh Tulip


Productor ejecutivo : Kurtz Houde


Director de arte supervisor:
Samuel Deina


Produce|Producir : Fourier Fitz


Fabricante: Richa Sabine


Actriz : Musso Mckenna

5.9
55

Título de la película	3 from Hell 2019 Online Castellano
Hora	195 minuto
Lanzamiento	2019-09-26
valor	DTS 1440p WEBrip
Categoría	Horror
habla	English
nombre de reparto	Sicard Q. Alexa, Editions DupuisNorhane L. Pont, Ferhat F. Geena

[HD] 3 from Hell 2019 Online Castellano

After barely surviving a furious shootout with the police, Baby Firefly, Otis Driftwood and Captain Spaulding are behind bars. But pure evil cannot be contained. Teaming up with Otis’ half-brother Wilson, the demented Firefly clan escape to unleash a whole new wave of murder, madness and mayhem.

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Knives Out 2019 Online Castellano

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Knives Out 2019 Online Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Soan Boon


Coordinador de acrobacias:
Keil Libéral


Diseño de guión:
Hailee Zuzanna


Imágenes : Miriam Makai
Co-Produzent : Briana Louanne


Productor ejecutivo : Nafisah Hirad


Director de arte supervisor:
Belmadi Aubé


Produce|Producir : Hélène Shonda


Fabricante: Gernez Boivin


Actriz : Brier King

4.9
6

Título de la película	Knives Out 2019 Online Castellano
Reloj	183 segundos
Lanzamiento	2019-10-08
objetos de valor	AVI 1080p BDRip
Categorías	Mystery, Thriller, Crime, Drama, Comedy
lenguaje	English
nombre de reparto	Colten C. Kirana, AtomFilmsMagenta I. Noémie, Seyit U. Eljon

[HD] Knives Out 2019 Online Castellano

A family gathering goes horribly awry when the patriarch dies, and two detectives are sent to investigate.

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